Wednesday, 19 April 2017

is that it?

When I posted The Final Frontier in December last year, I did so in the belief that there was nothing more to add. You would think I’d know better by now, but the nature of the terrain in this area seemed to make this a reasonable assumption. Construction of the Liangtang/Heung Yuen Wai Border Control Point Connecting Road imposes a limit to cycling to the north and east. I did find a good narrow path that led northeast from the village of Kan Tau Wai, but it eventually debouched onto this extensive construction site, and as I’d previously discovered, although it is possible to ride through this area, it isn’t very comfortable, so I went back to following the road instead.

There was Optional Extra, which I posted only four days later, but this was just a minor diversion, albeit one that I now consider a mandatory part of the route.

However, I was keen to reduce my exposure to fast-moving traffic on Ping Che Road in particular, so I continued to search for ways to avoid the section of this road between its junctions with Ping Yuen Road and Kong Nga Po Road. At the time of posting The Final Frontier, the route followed the road that enters the bottom of this map, turning right at the obvious junction then right again through Yuen Ha Tsuen:


By the way, Z marks the location of the mural that I described in Zoological Garden.

After it had crossed Ping Che Road, the route proceeded via Ping Yuen Road and ghost alley, followed by a series of tracks and narrow paths around the village of Ping Yeung, before coming back to the Ping Che Road/Ping Yuen Road junction. At this point, I had originally described the route as following Ping Che Road, but it was obvious that part of this road can be avoided by backtracking through Yuen Ha Tsuen.

Although I didn’t have the above map available at the time, it nevertheless made sense to investigate whether the road through Tai Po Tin led anywhere useful. And it did! The route X–X on the map is where the route goes now, and it is illustrated by the following sequence of photographs:




This is a closer view of the footbridge seen in the previous photo (note that the banks of this drainage channel are constructed from rip-rap):


According to the map, continuing straight ahead leads to a road, but this is not the case. All options here, including others not shown, are dead ends. However, crossing the bridge and continuing along the far side of the drainage channel does lead somewhere:



This path continues onto the road shown on the map, and only about 150 metres of Ping Che Road needs to be followed. And, on a Sunday, you won’t encounter too much traffic.

This was the first ‘proper’ upgrade to the route I described in The Final Frontier, but I’d noticed a couple of places that required further investigation. The first was the point marked B on the map, the start of a very obvious narrow path. This one goes a long way, with some very tricky sections, but when I followed it, I was left in a location where I had to follow Ping Che Road for quite some distance to get back on track, so I wrote it off as pointless.

However, I had noticed an alleyway in Yuen Ha Tsuen as I rode past, and it had to be worth taking a closer look to see where it might lead:


This is the point marked A on the map. The alleyway leads to an open area on the edge of the village, from where the route continues just left of the two wheelie bins:


The next photo shows the start of a path that skirts around the right-hand side of the plastic greenhouse:


…and is followed rather gingerly around quite a tight left-hand bend with a bit of a drop off the edge of the path:


The right-hand path is followed from the junction shown in the next photo:


Everything is straightforward at first:


…but there is a tricky kerb (about 15cm) to bump up at the entrance to this bridge:


Notice that it is possible to turn either left or right off the bridge. This is the right-hand option:


This path is no more than 45cm wide, and there is a horrendous drop on the right-hand side of 3–4 metres. I don’t think I’d be coming this way were it not for the railings!

So what about the left-hand option?


It does appear to be a more reasonable choice. After all, the path is a bit wider. But take a closer look:


There is a drop of about 3 metres off both sides of the path on this bend. And there are no railings! When you consider that you have been forced to slow down almost to a standstill to bump the kerb onto the bridge, you will realize that you don’t have enough forward momentum to avoid a certain amount of wobbling on the bend.

And the long drop off the right-hand side of the path continues for quite some distance:



The second photo shows a path doubling back to the right. It eventually reaches here (the right-hand option off the bridge leads here too):


Naturally, I have tried the left-hand option off the bridge, and I can confirm that it is exceptionally nerve-racking, especially as I had to duck to avoid branches on the inside of the bend, which exacerbated the tendency to wobble. Once is enough!

Meanwhile, the path is now much wider, and as a result much easier:



The second photo illustrates an interesting point about negotiating this kind of path. Notice that the path cuts sharply across to the right. A few days ago, when I was showing Paula this new addition to the route, I spotted a man pushing a small Hong Kong barrow from right to left. I shouted back to Paula that we’d probably have to stop somewhere, but I continued because where we were wasn’t really a suitable place to stop.

When I reached the point on the photo where the path cuts to the right, I found that the man had pulled off the path at a junction with another path, presumably because he’d heard me shouting to Paula, and the following exchange took place:
Me: M’goi sai [thank you very much].
Man: M’sai m’goi [thank you not necessary].
I frequently find myself in this kind of situation. I always say “thank you”, and more than nine times out of ten I receive this response. It could just be the natural politeness of Chinese people, or it could be that the other person is thinking: “This gweilo must be a loony cycling on these narrow paths. I’d better humour him.” Only kidding. I find that these friendly exchanges contribute to my enjoyment when I’m out on my bike.

Incidentally, the blue truck in the last photo is on the road a short distance southwest of B on the map, which is where this circuitous route from A eventually ends up:


Finally, I’ve included the following photograph, which I took recently on a short narrow path (about 100 metres in length) connecting a Drainage Services access road with Lin Ma Hang Road north of the village of Tsung Yuen Ha. I’d noticed this path before, both where it left Lin Ma Hang Road and where it crossed a constructed drainage channel via a footbridge, but it was choked with vegetation and obviously impassable. However, there was a fire a couple of months ago, and it looked like there was now a way through.


I checked this path out immediately after the fire and discovered that the stalks of the many clumps of elephant grass had been charred but not incinerated, so I returned with a pair of clippers to remove as many as I could (notice that there are many more charred stalks on the left of the clump in this photo), and I even pruned a couple of shrubs.

As I’ve pointed out, this path is very short, but by following it I don’t have to dice with death on Lin Ma Hang Road, which doesn’t carry much traffic, but the minibuses here are driven by lunatics. Unfortunately, as you can see, vegetation regrows quickly after a fire (the photo was taken not much more than a month after the fire), and it’s almost certain that this path will once again be impenetrable by the time I come back to Hong Kong next autumn.

Thursday, 13 April 2017

terracotta? ah me!

The eastern edge of Fanling is defined by Ma Sik Road. To the north is what would once have been the flood plain of the Ng Tung River, and further north, what I would describe as impenetrable mountain terrain. I documented the area between road and river seven years ago in Hong Kong Country, but the area has changed dramatically since then, and only the footpaths remain in their original locations.

And things continue to change! There has been no new painted art on the footpaths, and much of what I documented in Art Promenade has disappeared, particularly the frogs, but a few weeks ago, I was surprised to find what I can only describe as an exhibition of moulded clay figurines alongside the footpath.


The low wall on the far side of the path is all that remains of the residence of Lee Ming Sang, which I described in Hong Kong Country, while the painted house featured in Art Promenade can be glimpsed through the trees. I’ve started with this photo because this is the scene I encountered first, but if you were walking from Fanling, this would be your first indication of what lies ahead, about 20 metres further down the path:


This is an approximate translation of the sign:
The relationship between you and the land is…
Please take your time looking around, enjoy the clay people, who represent the people settled on the land.
This suggests to me some link between the people responsible for the artwork on the footpaths, those who took part in protests against development in the area last year, and whoever has created these ‘clay people’, although such a connection won’t necessarily be of a formal nature.

I’m not going to comment on individual figures. There are quite a few that aren’t very good, but there are some that I really do like. My favourite fantasy here is to imagine all of these bizarre figures being scaled up to human size and coming alive. I don’t think I’d be hanging around to watch what happened next. The next seven pictures are of sections of the seven-sided display platform, starting on the left of the gap seen in the photo above and travelling clockwise:








And here are some images of the figures on the low wall (in no particular order):









I don’t think these figurines are the work of a single artist. In fact, I think that they are the product of a school art class, which would explain why many of them are both crude and corny. But if my hypothesis is correct, then it’s a strange choice of exhibition space. I haven’t seen anyone else stop to take a closer look.

Sunday, 9 April 2017

more from ghost alley

I cycle through the area I’ve called ‘ghost alley’ every Sunday (other sections of the ride are not feasible on weekdays because of the traffic), and although I don’t usually stop, I do look to see whether there is anything new. And today there was! I’d just entered the narrow alleyway at the start of what we might describe as the area of interest when I glanced to my left. This is what I saw:


Although I cannot be certain, there is a good chance that everything you see was painted in the past week. Here are closer views of some of the paintings:







I’d barely got back on my bike when I noticed that someone had been painting the house on the left:





Unfortunately, because of the narrowness of the alleyway, and the fence in front of the house, it isn’t possible to get it all in a single shot. The third and fourth photos are of the side of the house.

And this photograph of the side of the house shows its location in relation to some of the ethereal faces that give this place its name:


In Ghost Alley Revisited, I mentioned soft drink cans that had been split vertically every few millimetres then mounted in such a way that they rotated in the wind. Because they were suspended high above the path, I’d thought that they were some kind of Christmas tinsel, but they’ve since been installed near ground level.

This installation is located on the left where the initial alleyway opens out to become a typical country path (apart, that is, from the artwork), so it’s now easy to see what they are:


…and this is a close-up of part of a second installation a few metres down the path:


The identity of these objects as soda cans should be obvious. But look again at the first of the soda can photos. This is the artwork further along the wall:


I cannot be sure that it was the artist’s intention, but to me this is a superb illustration of the English proverb ‘when the cat’s away, the mice will play’.

There are two new features in the area next to the original painted house. The second of these is a signpost to Ping Che, a nearby village, and the ‘mural village’, which I suspect is the nearby alleyway I featured in Nature Trail.



Finally, here are a couple of images from the ground around the original painted house. Neither is new, but I haven’t featured them before, and I thought you might like them.



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Zoological Garden